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| 說明 | ix, 337 pages : illustrations (some color) ; 26 cm |
| 文字 | text |
| 無媒介 | unmediated |
| 成冊 | volume |
| 附註 | Includes bibliographical references (pages 287-298) and index |
| California modernism after World War II -- The art of assemblage, New York-San Francisco -- Rat Rastards in Painterland -- Artist-run galleries of the Fillmore -- The Rat Bastard Protective Association and the making of assemblage -- "Woodshedding" years: the RBPA into the 1960s |
| "The Rat Bastard Protective Association was an inflammatory, close-knit community of artists who lived and worked in a building they dubbed Painterland in the Fillmore neighborhood of mid-century San Francisco. The artists who counted themselves among the Rat Bastards--these included Joan Brown, Bruce Conner, Jay DeFeo, Wally Hedrick, Michael McClure, and Manuel Neri--exhibited a unique fusion of radicalism, provocation, and community. Geographically isolated from a viable art market and refusing to conform to institutional expectations, their work animated broader social and artistic discussions and over time became a transformative part of American culture."-- Provided by publisher |
| 主題 | Conner, Bruce, 1933-2008 -- Criticism and interpretation |
| Rat Bastard Protective Association |
| Arts, American -- California -- San Francisco -- 19th century |
| Artists -- California -- San Francisco -- 19th century |
| Assemblage (Art) -- California -- San Francisco |
| Assemblage (Art) -- New York (State) -- New York |
| ISBN/ISSN | 9780520289451 (hbk. ; alk. paper) |
