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| 說明 | x, 346 p. : ill. ; 24 cm |
| 系列 | Post-contemporary interventions |
| Post-contemporary interventions |
| 附註 | Includes bibliographical references (p. [331]-340) and index |
| Introduction: The cultural politics of postsocialism -- Part I. Intellectual discourse: national and global determinations -- The return of the politcal: the making of the post-Tiananmen intellectual field -- Nationalism, mass culture, and intellectual strategies in the 1990's -- Postmodernism and postsocialist society: cultural politics after the "New Era" -- Part II. Literary discourse: narrative possibilities of postsocialism -- Shanghai nostalgia: mourning and allegory in Wang Anyi's literary production in the 1990's -- Toward a critical iconography: Shanghai, "minor literature," and the unmaking of a modern Chinese mythology -- "Demonic realism" and the "socialist market economy": language game, natural history, and social allegory in Mo Yan's The republic of wine -- Part III. Cinematic discourse: universality, singularity, and the everyday world -- National trauma, global allegory: construction of collective memory in Tian Zhuangzhuang's The blue kite -- Narrative, culture, and legitimacy: repetition and singularity in Zhang Yimou's The story of Qiu Ju |
| 主題 | Politics and culture -- China |
| China -- Politics and government -- 1976-2002 |
| Chinese literature -- Political aspects |
| Motion pictures -- Political aspects -- China |
| Postmodernism -- China |
| Post-communism -- China |
| Politique et culture -- Chine |
| Chine -- Politique et gouvernement -- 1976-2002 |
| Littérature chinoise -- Aspect politique |
| Cinéma -- Aspect politique -- Chine |
| Postmodernisme -- Chine |
| Postcommunisme -- Chine |
| Geschichte 1990-2000 |
| Kultur |
| China |
| 其他題名 | China in the last decade of the twentieth century |
| ISBN/ISSN | 9780822342120 (cloth : alk. paper) |
| 082234212X (cloth : alk. paper) |
| 9780822342304 (pbk. : alk. paper) |
| 0822342308 (pbk. : alk. paper) |
