The nature of this research is to explore the idea of visual sovereignty within contemporary Native American art, and how this concept engages with practices of decolonization. Through conducting semi-structured interviews with five artists who self-identify as Native American, I explore how the artists engage with this concept, what visual narratives their artwork presents, and how their works function as acts of decolonization. I connect their narratives to a broader conversation of critical museology and museum anthropology within museum spaces including how to reconsider the art/artifact divide, how to frame Indigenous arts reception through Indigenous aesthetics, and how their narratives add multiplicity to the concept of sovereignty. This research utilizes critical ethnography and narrative methodology to present the data, which is interpreted through the frameworks of visual sovereignty, Tribal Critical Race Theory, and both relational and Indigenous aesthetics
Electronic reproduction. Ann Arbor, Mich. : ProQuest, 2021
