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| 說明 | 1 online resource |
| 系列 | Cognitive studies in literature and performance |
| Cognitive studies in literature and performance |
| 附註 | The Stuff of Memory * Action and Accent: Voice, Gesture, Body, and Mind * Social Cognition: Enskillment in the Early Modern Theatre * Conclusion: Towards a Model of Cognitive Ecology |
| "Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"-- Provided by publisher |
| Includes bibliographical references (p. [173]-188) and index |
| Description based on print version record |
| 主題 | Theater -- England -- History -- 16th century |
| Theater -- England -- History -- 17th century |
| Acting -- History -- 16th century |
| Acting -- History -- 17th century |
| Shakespeare, William, 1564-1616 -- Stage history -- To 1625 |
| Shakespeare, William, 1564-1616 -- Stage history -- England |
| Shakespeare, William, 1564-1616 -- Dramatic production |
| Shakespeare, William -- 1564-1616 -- Dramatic production |
| Shakespeare, William -- 1564-1616 -- Stage history -- England |
| Shakespeare, William -- 1564-1616 -- Stage history -- To 1625 |
| Literature |
| Fine Arts |
| PERFORMING ARTS -- Theater -- History & Criticism. |
| Electronic books |
| ISBN/ISSN | 9780230118515 (electronic bk.) |
| 0230118518 (electronic bk.) |
| 9780230110854 |
| 0230110851 |
