MARC 主機 00000nam a2200493K 4500
001 AAI27959573
005 20211022115942.5
006 m o d
007 cr mn ---uuuuu
008 211022s2020 xx sbm 000 0 eng d
020 9798662373785
035 (MiAaPQ)AAI27959573
040 MiAaPQ|beng|cMiAaPQ|dNTU
100 1 Juberg, Marc J
245 10 Satirizing the Audience :|bShakespeare and the Uses of
Obscurity, 1594-1601
264 0 |c2020
300 1 online resource (301 pages)
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
500 Source: Dissertations Abstracts International, Volume: 82-
01, Section: A
500 Advisor: Scheil, Katherine
502 Thesis (Ph.D.)--University of Minnesota, 2020
504 Includes bibliographical references
520 This dissertation examines Shakespeare's techniques of
formal obscurity in four plays: Love's Labour's Lost, As
You Like It, Hamlet, and Troilus and Cressida. Shakespeare
and his contemporaries, Juberg shows, attached specific
satirical and aesthetic functions to deliberately obscure
writing. As satire migrated from page to stage in the last
decade of the 16th century, Shakespeare recombined the
generic codes and conventionally confusing language of
print satire to create his own type of satirical theater,
with which he challenged prevailing norms of literary and
theatrical interpretation and tested the limits of
audience understanding
533 Electronic reproduction.|bAnn Arbor, Mich. :|cProQuest,
|d2021
538 Mode of access: World Wide Web
650 4 Theater
650 4 Aesthetics
650 4 British & Irish literature
653 Audience Response
653 Jonson, Ben
653 Poetics
653 Satire
653 Shakespeare, William
653 Style
655 7 Electronic books.|2local
690 0593
690 0465
690 0650
710 2 ProQuest Information and Learning Co
710 2 University of Minnesota.|bEnglish
773 0 |tDissertations Abstracts International|g82-01A
856 40 |uhttp://pqdd.sinica.edu.tw/twdaoapp/servlet/
advanced?query=27959573|zclick for full text (PQDT)
912 圖書館PQDT110|b1110406
