MARC 主機 00000nam a2200493 i 4500 
001    978-3-030-44085-5 
003    DE-He213 
005    20210309133520.0 
006    m     o  d         
007    cr nn 008maaau 
008    201107s2020    sz      s         0 eng d 
020    9783030440855|q(electronic bk.) 
020    9783030440848|q(paper) 
024 7  10.1007/978-3-030-44085-5|2doi 
040    GP|cGP|erda 
041 0  eng 
050  4 N7570|b.A783 2020 
072  7 AS|2bicssc 
072  7 PER000000|2bisacsh 
072  7 AT|2thema 
082 04 700.4561|223 
245 00 Art and dance in dialogue :|bbody, space, object /|cedited
       by Sarah Whatley, Imogen Racz, Katerina Paramana, Marie-
       Louise Crawley 
264  1 Cham :|bSpringer International Publishing :|bImprint: 
       Palgrave Macmillan,|c2020 
300    1 online resource (xiv, 265 pages) :|billustrations, 
       digital ;|c24 cm 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
505 0  1. Introduction; Marie-Louise Crawley, Katerina Paramana, 
       Imogen Racz, and Sarah Whatley -- 2. 'Networked Commensals
       : Bodily, relational and performative affordances of 
       sharing food remotely'; Cinzia Cremona -- 3. 'Unsound 
       Bodies: Mapping manifolds in/of the dance'; Elise Nuding -
       - 4. 'TV, Body and Landscape: Nam June Paik's Show 
       (2016)'; Yuh, J. Hwang -- 5. 'Please Do Not Touch: Dancing
       with the sculptural works of Robert Therrien'; Marie-
       Louise Crawley -- 6. 'The Holding Space: Body of (as) 
       knowledge'; Sally Doughty, Lisa Kendall, and Rachel 
       Krische -- 7. 'Contextualising the Developing Self in 
       Helen Chadwick's Ego Geometria Sum'; Imogen Racz -- 8. 
       'Cutting Onions, Cooking Stew: Stabilizing the unstable in
       Mexico City'; Ruth Hellier -- 9. 'Series and Relics. On 
       the presence of remainders in performance's museum'; 
       Susanne Foellmer -- 10. 'Knitting Connection with the Red 
       Ladies: Walking, remembering, transforming'; Sophie Lally 
       -- 11. 'A Dance After All Hell Broke Loose: Mourning as 
       'Quiet' in Ralph Lemon's How Can You Stay in the House All
       Day and Not Go Anywhere?"'; Alison Bory -- 12. 'Theatre as
       FOMO: Metonymic spaces of William Forsythe's KAMMER/
       KAMMER'; Tamara Tomic-Vajagic -- 13. 'Broken Homes and 
       Haunted Houses'; Gill Perry -- 14. 'The Monumental and the
       Mundane: Living with public art in London's East End'; 
       Robert James Sutton 
520    This interdisciplinary book brings together essays that 
       consider how the body enacts social and cultural rituals 
       in relation to objects, spaces, and the everyday, and how 
       these are questioned, explored, and problematised through,
       and translated into dance, art, and performance. The 
       chapters are written by significant artists and scholars 
       and consider practices from various locations, including 
       Central and Western Europe, Mexico, and the United States.
       The authors build on dialogues between, for example, 
       philosophy and museum studies, and memory studies and post
       -humanism, and engage with a wide range of theory from 
       phenomenology to relational aesthetics to New Materialism.
       Thus this book represents a unique collection that 
       together considers the continuum between everyday and 
       cultural life, and how rituals and memories are inscribed 
       onto our being. It will be of interest to scholars and 
       practitioners, students and teachers, and particularly 
       those who are curious about the intersections between arts
       disciplines 
650  0 Human figure in art 
650  0 Art and dance 
650 14 Performing Arts 
650 24 Dance 
650 24 Performers and Practitioners 
700 1  Whatley, Sarah,|eeditor 
700 1  Racz, Imogen,|eeditor 
700 1  Paramana, Katerina,|eeditor 
700 1  Crawley, Marie-Louise,|eeditor 
710 2  SpringerLink (Online service) 
773 0  |tSpringer Nature eBook 
856 40 |uhttps://doi.org/10.1007/978-3-030-44085-5 
912    Springer|b110906304615 
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