MARC 主機 00000nam  2200000 a 4500 
001    AAINN11602 
005    20091218130131.5 
008    091218s1996    ||||||||s|||||||| ||eng d 
020    9780612116023 
035    (UMI)AAINN11602 
040    UMI|cUMI 
100 1  Sherlow, Lois Juanita 
245 10 Towards interculturalism: A critical history of 
       contemporary drama in Canada|h[electronic resource] 
300    352 p 
500    Source: Dissertation Abstracts International, Volume: 57-
       08, Section: A, page: 3504 
500    Adviser: Camille La Bossiere 
502    Thesis (Ph.D.)--University of Ottawa (Canada), 1996 
520    In the late sixties in Canada, the emerging alternative 
       theatre adapted dramaturgical models, many of them from 
       the international countercultural movement of the period, 
       which served as means of challenging the primacy of the 
       playwright and of creating a new decentralized iconography
       of the Canadian people. In the process of doing so, 
       however, this theatre left many colonialist practices 
       unexamined, and effectively succeeded in disseminating 
       nationalist or centralizing mythologies of utopian 
       populism. Thus, the suppressive effects of colonialism 
       were ironically prolonged as the new nationalist theatre 
       continued to produce marginalizing effects. This study 
       reframes critical perspectives on contemporary theatrical 
       values and practices in Canada by revisiting the ways in 
       which colonialist representation inscribed subordination 
       and marginality in the first place 
520    Since 1980, there has been a significant subversion and 
       effacement of nationalist ideology by the very groups 
       which had been suppressed by the universalizations of 
       populism. In addition, the adoption by many practitioners 
       of decentred, postmodern textuality combined with 
       experimentation in interdisciplinary techniques has 
       created performance modes more adaptable to cultural 
       reality. In Canadian theatre of the nineties, it has 
       become common practice to historicize unitary narratives 
       of culture and self-identity and to construct, instead, 
       intercultural texts which acknowledge the co-presence of 
       universality and difference, and which assist in drawing 
       spectators with diverse cultural expectations into 
       communal experience 
590    School code: 0918 
650  4 Literature, Canadian (English) 
650  4 Theater 
690    0352 
690    0465 
710 2  University of Ottawa (Canada) 
773 0  |tDissertation Abstracts International|g57-08A 
856 40 |uhttps://pqdd.sinica.edu.tw/twdaoapp/servlet/
       advanced?query=NN11602 
912    PQDT 
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