MARC 主機 00000cam 2200409 i 4500 001 2014001852 003 DLC 005 20140528095259.0 008 140206s2014 enkaf b 001 0 eng 010 2014001852 020 9781107040632 (hbk.) 020 1107040639 (hbk.) 040 DLC|beng|cDLC|erda|dNTNU 042 pcc 043 e-uk-en 050 00 PR3091|b.M68 2014 082 00 792.9/5|223 245 00 Moving Shakespeare indoors :|bperformance and repertoire in the Jacobean Playhouse /|cedited by Andrew Gurr and Farah Karim-Cooper 264 1 Cambridge, United Kingdom :|bCambridge University Press, |c2014 300 xiii, 284 pages, 8 unnumbered pages of plates : |billustrations (some color) ;|c24 cm 336 text|2rdacontent 337 unmediated|2rdamedia 338 volume|2rdacarrier 504 Includes bibliographical references (pages 260-274) and index 505 8 Machine generated contents note: Introduction Andrew Gurr and Farah Karim-Cooper; Part I. The Context of Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II. Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made an artificial noon': light and darkness in the indoor Jacobean theatre Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8. The audience of the indoor theatre Penelope Woods; 9. In the event of fire Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving the legacy of indoor performance Bart van Es; Appendix: list of plays performed at indoor playhouses, 1575-1642 Sarah Dustagheer 520 "Shakespeare's Company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnesses the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and considers the effects that more intimate staging, lighting and music had on performance and repertory. It discusses what knowledge is required when attempting to build an archetype of such a theatre, and looks at the effects of the theatre on audience behaviour and reception. Exploring the ways in which indoor theatre shaped the writing of Shakespeare and his contemporaries in the late Jacobean and early Caroline periods, this book will find a substantial readership among scholars of Shakespeare and Jacobean theatre history"--|cProvided by publisher 600 10 Shakespeare, William,|d1564-1616|xDramatic production 600 10 Shakespeare, William,|d1564-1616|xStage history 610 20 Blackfriars Theatre (London, England) 650 0 Theater audiences|xPsychology 700 1 Gurr, Andrew,|eeditor of compilation 700 1 Karim-Cooper, Farah,|eeditor of compilation 856 42 |3Cover image|uhttp://assets.cambridge.org/97811070/40632/ cover/9781107040632.jpg 911 wjc/fmj
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總館7F書架 | 792.95 Sh15 M869 | BM0661012 | 可外借 | 調閱服務 |