MARC 主機 00000cam 2200409 i 4500
001 2014001852
003 DLC
005 20140528095259.0
008 140206s2014 enkaf b 001 0 eng
010 2014001852
020 9781107040632 (hbk.)
020 1107040639 (hbk.)
040 DLC|beng|cDLC|erda|dNTNU
042 pcc
043 e-uk-en
050 00 PR3091|b.M68 2014
082 00 792.9/5|223
245 00 Moving Shakespeare indoors :|bperformance and repertoire
in the Jacobean Playhouse /|cedited by Andrew Gurr and
Farah Karim-Cooper
264 1 Cambridge, United Kingdom :|bCambridge University Press,
|c2014
300 xiii, 284 pages, 8 unnumbered pages of plates :
|billustrations (some color) ;|c24 cm
336 text|2rdacontent
337 unmediated|2rdamedia
338 volume|2rdacarrier
504 Includes bibliographical references (pages 260-274) and
index
505 8 Machine generated contents note: Introduction Andrew Gurr
and Farah Karim-Cooper; Part I. The Context of Hard
Evidence: 1. Why the theatres changed John H. Astington;
2. Practical evidence for a re-imagined indoor Jacobean
theatre Jon Greenfield and Peter McCurdy; 3. Documentary
evidence for an indoor Jacobean theatre Oliver Jones; 4.
Continuities and innovations in staging Mariko Ichikawa;
Part II. Materiality Indoors: 5. 'A ruinous monastery':
the Second Blackfriars playhouse as a place of nostalgia
Tiffany Stern; 6. 'When torchlight made an artificial
noon': light and darkness in the indoor Jacobean theatre
Martin White; 7. Acoustic and visual practices indoors
Sarah Dustagheer; 8. The audience of the indoor theatre
Penelope Woods; 9. In the event of fire Paul Menzer; 10.
To glisten in a playhouse: cosmetic beauty indoors Farah
Karim-Cooper; Part III. The New Fashions for Indoors: 11.
The new fashion for indoor plays Andrew Gurr; 12. Changing
fashions: tragicomedy, romance and heroic women in the
1630s hall-playhouses Eleanor Collins; 13. Reviving the
legacy of indoor performance Bart van Es; Appendix: list
of plays performed at indoor playhouses, 1575-1642 Sarah
Dustagheer
520 "Shakespeare's Company, the King's Men, played at the
Globe, and also in an indoor theatre, the Blackfriars. The
year 2014 witnesses the opening of the Sam Wanamaker
Playhouse, based on seventeenth-century designs of an
indoor London theatre and built within the precincts of
the current Globe on Bankside. This volume, edited by
Andrew Gurr and Farah Karim-Cooper, asks what prompted the
move to indoor theatres, and considers the effects that
more intimate staging, lighting and music had on
performance and repertory. It discusses what knowledge is
required when attempting to build an archetype of such a
theatre, and looks at the effects of the theatre on
audience behaviour and reception. Exploring the ways in
which indoor theatre shaped the writing of Shakespeare and
his contemporaries in the late Jacobean and early Caroline
periods, this book will find a substantial readership
among scholars of Shakespeare and Jacobean theatre
history"--|cProvided by publisher
600 10 Shakespeare, William,|d1564-1616|xDramatic production
600 10 Shakespeare, William,|d1564-1616|xStage history
610 20 Blackfriars Theatre (London, England)
650 0 Theater audiences|xPsychology
700 1 Gurr, Andrew,|eeditor of compilation
700 1 Karim-Cooper, Farah,|eeditor of compilation
856 42 |3Cover image|uhttp://assets.cambridge.org/97811070/40632/
cover/9781107040632.jpg
911 wjc/fmj
