MARC 主機 00000nam a2200481 i 4500
001 978-3-319-66508-5
003 DE-He213
005 20180522144713.0
006 m o d
007 cr nn 008maaau
008 171101s2017 gw s 0 eng d
020 9783319665085|q(electronic bk.)
020 9783319665078|q(paper)
024 7 10.1007/978-3-319-66508-5|2doi
040 GP|cGP|erda
041 0 eng
050 4 PN6737.M66|bG73 2017
072 7 JFD|2bicssc
072 7 SOC052000|2bisacsh
082 04 741.5942|223
100 1 Gray, Maggie,|eauthor
245 10 Alan Moore, out from the underground :|bcartooning,
performance, and dissent /|cby Maggie Gray
264 1 Cham :|bSpringer International Publishing :|bImprint:
Palgrave Macmillan,|c2017
300 1 online resource (xiii, 298 pages) :|billustrations,
digital ;|c24 cm
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
490 1 Palgrave studies in comics and graphic novels
520 This book explores Alan Moore's career as a cartoonist, as
shaped by his transdisciplinary practice as a poet,
illustrator, musician and playwright as well as his
involvement in the Northampton Arts Lab and the hippie
counterculture in which it took place. It traces Moore's
trajectory out from the underground comix scene of the
1970s and into a commercial music press rocked by the
arrival of punk. In doing so it uncovers how performance
has shaped Moore's approach to comics and their political
potential. Drawing on the work of Bertolt Brecht, who
similarly fused political dissent with experimental
popular art, this book considers what looking strangely at
Alan Moore as cartoonist tells us about comics, their
visual and material form, and the performance and politics
of their reading and making
600 10 Moore, Alan,|d1953-|xCriticism and interpretation
650 14 Cultural and Media Studies
650 24 Media Studies
650 24 British Culture
650 24 Audio-Visual Culture
650 24 Arts
650 24 Genre
710 2 SpringerLink (Online service)
773 0 |tSpringer eBooks
830 0 Palgrave studies in comics and graphic novels
856 40 |uhttp://dx.doi.org/10.1007/978-3-319-66508-5
912 Springer|b110608094615
