MARC 主機 00000cam 2200000Ia 4500 001 ocn732617804 003 OCoLC 005 20130621115030.0 006 m o d 007 cr cn||||||||| 008 110623s2011 nyu sb 001 0 eng d 020 9780230119468 (electronic bk.) 020 0230119468 (electronic bk.) 020 9780230342538 020 0230342531 020 |z9780230113350 020 |z0230113354 035 (OCoLC)732617804|z(OCoLC)740386524|z(OCoLC)741614953 |z(OCoLC)744519727|z(OCoLC)747411189 037 527084|bPalgrave Macmillan|nhttp://www.palgraveconnect.com 040 UKPGM|beng|cUKPGM|dEBLCP|dYDXCP|dN$T|dIDEBK|dCUS|dOCLCQ |dE7B|dOCLCQ|dGZM|dOCLCQ 050 4 PN2061|b.L84 2011 072 7 PER|x001000|2bisacsh 072 7 ANC|2bicssc 082 04 792.02/801|222 100 1 Lutterbie, John Harry,|d1948- 245 10 Toward a general theory of acting|h[electronic resource] : |bcognitive science and performance /|cJohn Lutterbie 250 1st ed 260 New York :|bPalgrave Macmillan,|c2011 300 1 online resource (x, 269 p.) 490 1 Cognitive studies in literature and performance 504 Includes bibliographical references (p. [249]-254) and index 505 0 The Language of Acting *̐ΜưTheatre and Dynamic Systems Theory *̐ΜưThe Actor's Tools *̐ΜưTechnique *̐ΜưImprovisation *̐ΜưThe Actor's Score *̐ΜưIn Performance 505 8 Machine generated contents note: -- The Language of Acting *_Theatre and Dynamic Systems Theory *_The Actors Tools *_Technique *_Improvisation *_The Actors Score *_In Performance 520 Toward a General Theory of Acting explores the actor's art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process 520 "Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"--|cProvided by publisher 588 Description based on print version record 650 0 Acting|xPhilosophy 650 4 Theatre 650 4 Fine Arts 650 7 PERFORMING ARTS|xActing & Auditioning.|2bisacsh 650 7 PERFORMING ARTS|xTheater|xStagecraft.|2bisacsh 650 7 PERFORMING ARTS|xTheater|xGeneral.|2bisacsh 655 7 Electronic books.|2local 776 08 |iPrint version:|aLutterbie, John Harry, 1948-|tToward a general theory of acting.|dNew York : Palgrave Macmillan, 2011|z9780230113350|w(DLC) 2010048474|w(OCoLC)682891256 830 0 Cognitive studies in literature and performance 856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/ doifinder/10.1057/9780230119468|zAn electronic book accessible through the World Wide Web; click for information 912 Palgrave connect eBooks|b110206074615
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