MARC 主機 00000cam 2200000Ia 4500
001 ocn732617804
003 OCoLC
005 20130621115030.0
006 m o d
007 cr cn|||||||||
008 110623s2011 nyu sb 001 0 eng d
020 9780230119468 (electronic bk.)
020 0230119468 (electronic bk.)
020 9780230342538
020 0230342531
020 |z9780230113350
020 |z0230113354
035 (OCoLC)732617804|z(OCoLC)740386524|z(OCoLC)741614953
|z(OCoLC)744519727|z(OCoLC)747411189
037 527084|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040 UKPGM|beng|cUKPGM|dEBLCP|dYDXCP|dN$T|dIDEBK|dCUS|dOCLCQ
|dE7B|dOCLCQ|dGZM|dOCLCQ
050 4 PN2061|b.L84 2011
072 7 PER|x001000|2bisacsh
072 7 ANC|2bicssc
082 04 792.02/801|222
100 1 Lutterbie, John Harry,|d1948-
245 10 Toward a general theory of acting|h[electronic resource] :
|bcognitive science and performance /|cJohn Lutterbie
250 1st ed
260 New York :|bPalgrave Macmillan,|c2011
300 1 online resource (x, 269 p.)
490 1 Cognitive studies in literature and performance
504 Includes bibliographical references (p. [249]-254) and
index
505 0 The Language of Acting *̐ΜưTheatre and Dynamic Systems
Theory *̐ΜưThe Actor's Tools *̐ΜưTechnique
*̐ΜưImprovisation *̐ΜưThe Actor's Score *̐ΜưIn Performance
505 8 Machine generated contents note: -- The Language of Acting
*_Theatre and Dynamic Systems Theory *_The Actors Tools
*_Technique *_Improvisation *_The Actors Score *_In
Performance
520 Toward a General Theory of Acting explores the actor's art
through the lens of Dynamic Systems Theory and recent
findings in the Cognitive Sciences. An analysis of
different theories of acting in the West from Stanislavski
to Lecoq is followed by an in depth discussion of
technique, improvisation, and creating a score. In the
final chapter, the focus shifts to how these three are
interwoven when the actor steps in front of an audience,
whether performing realist, non-realist, or postdramatic
theatre. Far from using the sciences to reduce acting to a
formula, Lutterbie celebrates the mystery of the creative
process
520 "Toward a General Theory of Acting explores the actors art
through the lens of Dynamic Systems Theory and recent
findings in the Cognitive Sciences. An analysis of
different theories of acting in the West from Stanislavski
to Lecoq is followed by an in depth discussion of
technique, improvisation, and creating a score. In the
final chapter, the focus shifts to how these three are
interwoven when the actor steps in front of an audience,
whether performing realist, non-realist, or postdramatic
theatre. Far from using the sciences to reduce acting to a
formula, Lutterbie celebrates the mystery of the creative
process"--|cProvided by publisher
588 Description based on print version record
650 0 Acting|xPhilosophy
650 4 Theatre
650 4 Fine Arts
650 7 PERFORMING ARTS|xActing & Auditioning.|2bisacsh
650 7 PERFORMING ARTS|xTheater|xStagecraft.|2bisacsh
650 7 PERFORMING ARTS|xTheater|xGeneral.|2bisacsh
655 7 Electronic books.|2local
776 08 |iPrint version:|aLutterbie, John Harry, 1948-|tToward a
general theory of acting.|dNew York : Palgrave Macmillan,
2011|z9780230113350|w(DLC) 2010048474|w(OCoLC)682891256
830 0 Cognitive studies in literature and performance
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
doifinder/10.1057/9780230119468|zAn electronic book
accessible through the World Wide Web; click for
information
912 Palgrave connect eBooks|b110206074615
