MARC 主機 00000nam a2200493K  4500 
001    AAI13885643 
005    20200707094508.5 
006    m     o  d         
007    cr mn ---uuuuu 
008    200707s2019    miu     sbm   000 0 eng d 
020    9781392878095 
035    (MiAaPQ)AAI13885643 
040    MiAaPQ|beng|cMiAaPQ|dNTU 
100 1  Bolen, Christa E 
245 14 The Deaf Lens :|bMaking Meaning through Photoliteracy 
264  0 |c2019 
300    1 online resource (149 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
500    Source: Dissertations Abstracts International, Volume: 81-
       06, Section: A 
500    Advisor: Case, Karen I 
502    Thesis (Ed.D.)--University of Hartford, 2019 
504    Includes bibliographical references 
520    Deaf and Hard of Hearing (DHH) students have long been 
       recognized as having difficulty mastering written language
       (Albertini, 1993; Albertini & Schley, 2003; Giddens, 2009;
       Kluwin & Kelly, 1990; Schmitz & Keenan, 2005). Traditional
       approaches to teaching written English to DHH students 
       have frequently focused on addressing the deficits in 
       their writing, such as correcting grammar and mechanics 
       and increasing vocabulary (Albertini,1993; Albertini & 
       Schley, 2003) which had a significant negative impact on 
       their attitudes about English and engaging in writing 
       experiences. This research represented an instructional 
       intervention called Photoliteracy which sought to 
       capitalize on the visual skill set of DHH students and 
       employed aesthetic inquiry utilizing visual images 
       represented by students' original photography within a 
       multimodal social semiotic framework (Kress, 2010) for 
       learning writing in English.This exploratory qualitative 
       research study was concerned with the curricular elements 
       of the juxtaposition of aesthetics and writing. It was 
       designed to examine DHH students' reports of meaning 
       making regarding their identity as a deaf person as 
       revealed through the selection, sharing, and translation 
       of their original photographic image into writing. Meaning
       making, or semiosis, is an ongoing process that creates 
       one's "...distinctive 'take' on the world" (p. 94) through
       the selection and use of various modes, such as 
       photographic images and writing, constantly made and 
       transformed through social interaction.Findings indicated 
       DHH students reported meaning making inherent in the 
       selection of their photographic image was a representation
       of their identity as a deaf person related to the personal
       connection they felt to the photograph. This connection 
       manifested through the ownership they had over the 
       creation of the image, the aesthetic quality of the image,
       and the emotions the image evoked, as expressed through 
       the abstract symbolism by which the students established 
       their connection to the photographic image. The students 
       reported meaning making inherent in the sharing of their 
       photographic image was a representation of their identity 
       as a deaf person related to the validation and confidence 
       resulting from communicating and working together as a 
       group of people with similar backgrounds and shared 
       experiences. This validation resulted in metacognition, 
       the creation of new thinking and new ideas of greater 
       quality and quantity through the consideration of 
       alternate perspectives, and better articulation of the 
       students' own initial ideas. Finally, the DHH students 
       reported meaning making inherent in the translation of 
       their photographic image into writing as a representation 
       of their identity as a deaf person as the expression of 
       their personal story communicated to a larger audience. 
       The students felt empowered by documenting their story 
       from their photograph to their written piece. They 
       extended the abstract concepts and language initially 
       addressed in the selection of their photograph to their 
       writing and embodied their personal narrative in the 
       expression of their personal journey. Additionally, viewed
       their writing as an opportunity to communicate with a 
       larger audience, particularly to share it with the hearing
       world.Photoliteracy was developed with an understanding of
       how deaf and hard of hearing students learn, specifically 
       their visual learning acuity. It is not an adaptation of 
       education for hearing students. Instead, it is new 
       knowledge which can be applied to education on a larger 
       scale and inform best practices in all teaching and 
       learning 
533    Electronic reproduction.|bAnn Arbor, Mich. :|cProQuest,
       |d2020 
538    Mode of access: World Wide Web 
650  4 Special education 
650  4 Instructional design 
650  4 Disability studies 
653    Deaf 
653    Deaf and hard of hearing 
653    Deaf education 
653    Photography 
653    Photoliteracy 
653    Writing 
655  7 Electronic books.|2local 
690    0529 
690    0447 
690    0201 
710 2  ProQuest Information and Learning Co 
710 2  University of Hartford.|bEducational Leadership 
773 0  |tDissertations Abstracts International|g81-06A 
856 40 |uhttps://pqdd.sinica.edu.tw/twdaoapp/servlet/
       advanced?query=13885643|zclick for full text (PQDT) 
912    PQDT 
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