MARC 主機 00000nam a2200421K  4500 
001    AAI27767151 
005    20200824072340.5 
006    m     o  d         
007    cr mn ---uuuuu 
008    200824s2018    miu     sbm   000 0 eng d 
020    9781392731994 
035    (MiAaPQ)AAI27767151 
035    (MiAaPQ)Nottingham_38007 
040    MiAaPQ|beng|cMiAaPQ|dNTU 
100 1  Konczak, Julian 
245 10 Transmedia Storytelling and Transcendental Experience :
       |bUsing Media Archaeology in Creative Practice to Explore 
       Narrative and Space within the Virtual Screen 
264  0 |c2018 
300    1 online resource (120 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
500    Source: Dissertations Abstracts International, Volume: 81-
       10, Section: A 
502    Thesis (Ph.D.)--Nottingham Trent University (United 
       Kingdom), 2018 
504    Includes bibliographical references 
520    "Transmedia Storytelling and Transcendental Experience: 
       Using Media Archaeology in Creative Practice to Explore 
       Narrative and Space within the Virtual Screen" is a PhD by
       Published Work comprised of four video-based transmedia 
       projects. As a collective body of work, they are 
       orientated around conceptual approaches to multi-platform 
       production that aim for an intended transcendental 
       experience, an approach that centralises the spectator.The
       study develops work undertaken by the author as an 
       undergraduate in Psychology and Philosophy, later focusing
       at Masters level on subliminal imaging within digital 
       media. The approach to production developed in this thesis
       is drawn from phenomenological understandings of audience 
       experience in relation to content across iterations of the
       virtual screen, informed by psychology theories such as 
       Gestalt and Jungian theories.These transmedia productions 
       engage with creative opportunities and issues around the 
       proliferation and fragmentation of video content and 
       audiences, across multi-platform media, as well as the 
       distinct challenges involved in authoring online and 
       offline iterations of the virtual screen. The contribution
       to knowledge consists in the development of alternative 
       production-based methodologies for transmedia authoring 
       through extending the use of existing technological 
       applications. My production-based methodology is based on 
       the modelling of an intended transcendental experience 
       which is catalysed through novel and/or experimental 
       combinations of already available media tools. This 
       production methodology creates new knowledge by extending 
       the function of phenomenological psychology mechanisms 
       established within still and moving image production. This
       extension materialises through the application of concepts
       such as "figure and ground" from Gestalt psychology and 
       the language of Jungian archetypes, which are used as a 
       guiding principle to re-structuring transmedia authorship 
       with the intention to generate a transcendental 
       experience.This model of production applies a media 
       archaeological approach to the implementation of 
       technological tools, implementing the "new" into the "old"
       and the "old" into the "new" in making choices regarding 
       format and positioning of the virtual screen. The works 
       submitted in support of the thesis have been produced by 
       implementing this conceptual approach. These transmedia 
       projects explore configurations of platforms positioned at
       an intersection of digital arts practice and more 
       mainstream narrative video, spanning documentary and 
       fiction. Overall, they demonstrate diversity in the 
       implementation of the conceptual approach of intended 
       transcendental experience across a range of online and 
       offline applications that include gallery installation, 
       interactive web-based storytelling, cinema style 
       presentation and printed outputs.The submission comprises 
       of four transmedia productions J9 (2010), Telenesia (2011),
       The Interactive Forest (2014) and A Polish Journey (2015),
       these are examined within their production and theoretical
       contexts before being analysed as implementations of an 
       'intended transcendental experience' 
533    Electronic reproduction.|bAnn Arbor, Mich. :|cProQuest,
       |d2020 
538    Mode of access: World Wide Web 
650  4 Mass communications 
650  4 Film studies 
653    Media studies 
653    Subliminal imaging 
655  7 Electronic books.|2local 
690    0900 
690    0708 
710 2  ProQuest Information and Learning Co 
710 2  Nottingham Trent University (United Kingdom) 
773 0  |tDissertations Abstracts International|g81-10A 
856 40 |uhttps://pqdd.sinica.edu.tw/twdaoapp/servlet/
       advanced?query=27767151|zclick for full text (PQDT) 
912    PQDT 
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