MARC 主機 00000cam a2200493Ki 4500 001 ocn858980529 003 OCoLC 005 20140910115736.0 006 m o d 007 cr cnu---unuuu 008 130927s2013 enk sb 001 0 eng d 020 1137332409 (electronic bk.) 020 9781137332400 (electronic bk.) 035 (OCoLC)858980529 037 670632|bPalgrave Macmillan|nhttp://www.palgraveconnect.com 040 UKPGM|beng|erda|epn|cUKPGM|dOCLCO|dIDEBK|dCDX|dN$T|dYDXCP |dE7B|dOCLCO 043 e-uk-en 050 4 PR2547|b.S34 2013 072 7 DRA|x003000|2bisacsh 082 04 822/.3|223 100 1 Sager, Jenny,|d1984- 245 14 The aesthetics of spectacle in early modern drama and modern cinema :|bRobert Greene's theatre of attractions / |cJenny Sager, lecturer, Bath Spa University, UK 264 1 Houndmills, Basingstoke, Hampshire ;|aNew York :|bPalgrave Macmillan,|c2013 300 1 online resource 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 504 Includes bibliographical references and index 505 0 Introduction -- The aesthetics of spectacle -- Stage properties -- The Leviathan in Thomas Lodge and Robert Greene's A looking glass for London and England -- Resurrecting the body in James IV -- The brazen head in Alphonsus, King of Aragon and Friar Bacon and Friar Bungay -- Stage conventions -- Madness and creativity in Orlando Furioso -- The aesthetics of violence in Selimus -- Conclusion 520 This is a highly original study, which offers an innovative new approach towards the study of early modern drama. This book examines the work of the Elizabethan playwright, Robert Greene, arguing that his plays are innovative in their use of spectacle. This study's most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects. While recent Shakespearean criticism interprets his drama through the lens of performance, criticism of non-Shakespearean drama continues to disconnect the plays from even the scarce performances of them today. This book aims to bring the study of performance into the realm of non-Shakespearean drama so that the plays of Shakespeare's contemporaries might not descend further into obscurity. This innovative study advocates the rejection of a purely text-based interpretation of drama and emphasizes the powerful visual dimension of the early modern stage 588 Description based on print version record 600 10 Greene, Robert,|d1558-1592|xDramatic production 600 10 Greene, Robert,|d1558-1592|xStage history 650 0 Cinematography|xSpecial effects 650 0 English drama|yEarly modern and Elizabethan, 1500-1600 |xHistory and criticism 650 0 Motion pictures|xAesthetics 650 0 Spectacular, The, in literature 650 0 Theater audiences|zEngland|xHistory|y16th century 650 0 Theaters|xStage-setting and scenery|zEngland|xHistory |y16th century 650 7 DRAMA / English, Irish, Scottish, Welsh|2bisacsh 655 4 Electronic books 776 08 |iPrint version:|aSager, Jenny, 1984-|tAesthetics of spectacle in early modern drama and modern cinema |z9781137332394|w(DLC) 2013032262|w(OCoLC)857663764 856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/ doifinder/10.1057/9781137332400 912 Palgrave|b110308184615
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