MARC 主機 00000nam a2200457 i 4500
001 978-3-319-99166-5
003 DE-He213
005 20190325114323.0
006 m o d
007 cr nn 008maaau
008 181102s2018 gw s 0 eng d
020 9783319991665|q(electronic bk.)
020 9783319991658|q(paper)
024 7 10.1007/978-3-319-99166-5|2doi
040 GP|cGP|erda
041 0 eng
050 4 PN2193.A8|bS434 2018
072 7 AN|2bicssc
072 7 PER011000|2bisacsh
072 7 ATD|2thema
082 04 306.484|223
100 1 Sedgman, Kirsty,|eauthor
245 14 The reasonable audience :|btheatre etiquette, behaviour
policing, and the live performance experience /|cby Kirsty
Sedgman
264 1 Cham :|bSpringer International Publishing :|bImprint:
Palgrave Pivot,|c2018
300 1 online resource (xi, 174 pages) :|billustrations,
digital ;|c24 cm
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
505 0 1. Introduction -- 2. The Theatre Contract -- 3. Audience
Attention & Aesthetic Experience -- 4. A Defence of
Theatre Etiquette -- 5. On the Reasonable Audience -- 6.
Marked/Unmarked Bodies
650 0 Theater audiences|xAttitudes
650 0 Etiquette
650 0 Authority
650 14 Contemporary Theatre
650 24 Performing Arts
650 24 Theatre Industry
710 2 SpringerLink (Online service)
773 0 |tSpringer eBooks
856 40 |uhttps://doi.org/10.1007/978-3-319-99166-5
912 Springer
