MARC 主機 00000cam 2200000Ka 4500
001 ocn712037581
003 OCoLC
005 20130621114844.0
006 m o d
007 cr cnu---unuuu
008 110411s2011 nyu sb 001 0 eng d
020 9780230118393 (electronic bk.)
020 0230118399 (electronic bk.)
020 |z9780230110649
020 |z0230110649
035 (OCoLC)712037581
040 N$T|beng|cN$T|dCDX|dUKPGM|dE7B|dYDXCP|dOCLCQ|dREDDC|dOCLCQ
043 e-uk-en
050 4 PR658.A88|bI43 2011eb
072 7 DRA|x003000|2bisacsh
082 04 822/.045/09031|222
245 00 Imagining the audience in early modern drama, 1558-1642
|h[electronic resource] /|cedited by Jennifer A. Low and
Nova Myhill
250 1st ed
260 New York :|bPalgrave Macmillan,|c2011
300 1 online resource (viii, 218 p.)
504 Includes bibliographical references and index
505 8 Machine generated contents note: -- Introduction: Audience
and Audiences -- Nova Myhill and Jennifer A. Low * Crowd
Control -- Paul Menzer * Taking the Stage: Spectators as
Spectacle in the Caroline Private Theaters -- Nova Myhill
* The Curious Case of the Two Audiences: Thomas Dekker's
Match Me in London -- Mark Bayer * Door Number Three? Time,
Space, and Audience in The Menaechmi and The Comedy of
Errors -- Jennifer A. Low * Audience as Witness in Edward
II -- Meg F. Pearson * Lord of thy presence: Bodies,
Performance, and Audience Interpretation in Shakespeare's
King John -- Erika T. Lin * Charismatic Audience: A 1559
Pageant -- David M. Bergeron * Audience, Actors, and
Taking Part in the Revels -- Emma Rhatigan * Bleared
Vision in The Taming of the Shrew -- James Wells *
Fitzgrave's Jewel: Audience and Anticlimax in Middleton
and Shakespeare -- Jeremy Lopez
520 "The role of the audience takes on new importance when
performance is reconceived as a dialectical activity. The
essays in this collection examine the relationship between
dramatic performance and audience in the work of
Shakespeare and his contemporaries. That relationship is
complicated by multiple conceptions of the audience:
playwrights imagine their audiences; actors address them;
the audience actually attending the play is yet another
entity. The authors combine theatre history and cultural
analysis with examinations of plays and productions to
explore how those involved in early modern productions
conceived of their audience, how audiences shaped the
dramas they watched, and even how the roles of actor and
audience member sometimes merged"--|cProvided by publisher
588 Description based on print version record
650 0 English drama|yEarly modern and Elizabethan, 1500-1600
|xHistory and criticism
650 0 Theater audiences|zEngland|xHistory|y16th century
650 0 English drama|y17th century|xHistory and criticism
650 0 Theater audiences|zEngland|xHistory|y17th century
650 0 Theater|zEngland|xHistory
650 7 LITERARY CRITICISM|xEuropean|xEnglish, Irish, Scottish,
Welsh.|2bisacsh
650 7 LITERARY CRITICISM|xDrama.|2bisacsh
650 7 LITERARY CRITICISM|xShakespeare.|2bisacsh
650 7 PERFORMING ARTS|xTheater|xHistory & Criticism.|2bisacsh
650 7 DRAMA|xEnglish, Irish, Scottish, Welsh.|2bisacsh
655 4 Electronic books
700 1 Low, Jennifer A.,|d1962-
700 1 Myhill, Nova,|d1970-
776 08 |iPrint version:|tImagining the audience in early modern
drama, 1558-1642.|b1st ed.|dNew York : Palgrave Macmillan,
2011|z9780230110649|w(DLC) 2010039889|w(OCoLC)662407403
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
doifinder/10.1057/9780230118393
912 Palgrave connect eBooks|b110206074615
