MARC 主機 00000cam 2200000Ka 4500
001 ocn812516100
003 OCoLC
005 20121107094608.0
006 m d
007 cr cn|||||||||
008 121011s2012 nyu s 000 0 eng d
020 9781137006509 (electronic bk.)
020 1137006501 (electronic bk.)
020 |z1137001062
020 |z9781137001061
020 6613954268
020 9786613954268
024 8 9786613954268
035 (OCoLC)812516100|z(OCoLC)812786640|z(OCoLC)813397287
037 565879|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040 UKPGM|beng|cUKPGM|dOCLCO|dCDX|dYDXCP|dN$T|dIDEBK
043 e-uk-en
050 4 PR3095|b.L56 2012
072 7 PER|x011020|2bisacsh
072 7 AN|2bicssc
082 04 792.0942|223
100 1 Lin, Erika T.,|d1972-
245 10 Shakespeare and the materiality of performance
|h[electronic resource] /|cErika T. Lin
260 New York, NY :|bPalgrave Macmillan,|c2012
300 1 online resource
504 Includes bibliographical references
505 0 Performance effects. Introduction: materializing the
immaterial -- Theorizing theatrical privilege: rethinking
Weimann's concepts of Locus and Platea -- Theatrical ways
of knowing. Staging sight: visual paradigms and perceptual
strategies in Love's labor's lost -- Imaginary forces:
allegory, mimesis, and audience interpretation in The
Spanish tragedy -- Experiencing embodied spectacle.
Dancing and other delights: spectacle and participation in
Doctor Faustus and Macbeth -- Artful sport: violence,
dismemberment, and games in Titus Andronicus, Cymbeline,
and Doctor Faustus
520 Many unspoken assumptions permeated the experience of
performance in Shakespeare's theatre. Drawing on
scientific treatises, murder pamphlets, travel narratives,
dream manuals, religious sermons, festive sports, and
other fascinating primary sources, Lin reconstructs
playgoers' typical ways of thinking and feeling and
demonstrates how these culturally-trained habits of mind
shaped not only dramatic narratives but also the
presentational dynamics of onstage action. Combining
literary criticism, theatre history, and performance
theory, this ground-breaking study explodes received ideas
about mimesis, spectacle, and semiotics as it uncovers the
ways in which early modern performance functioned as a
material medium, revising and producing social attitudes
and practices
588 Description based on print version record
600 10 Shakespeare, William,|d1564-1616|xStage history|yTo 1625
600 10 Shakespeare, William,|d1564-1616|xStage history|zEngland
|zLondon
650 0 Theater audiences|zEngland|zLondon|xHistory|y16th century
650 0 Theater audiences|zEngland|zLondon|xHistory|y17th century
650 0 Theater and society|zEngland|xHistory|y16th century
650 0 Theater and society|zEngland|xHistory|y17th century
650 7 PERFORMING ARTS / Theater / History & Criticism|2bisacsh
655 4 Electronic books
776 08 |iPrint version:|aLin, Erika T., 1972-|tShakespeare and
the materiality of performance.|dNew York, NY : Palgrave
Macmillan, 2012|z9781137001061|w(DLC) 2012011554
|w(OCoLC)784447335
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
doifinder/10.1057/9781137006509
912 Palgrave|b110104114615
