MARC 主機 00000cam 2200000Ka 4500
001 ocn855910392
003 OCoLC
005 20130913034532.0
006 m o d
007 cr cnu---unuuu
008 130816s2013 enk s 000 0 eng d
020 9781137010742 (electronic bk.)
020 1137010746 (electronic bk.)
035 (OCoLC)855910392
037 579285|bPalgrave Macmillan|nhttp://www.palgraveconnect.com
040 UKPGM|beng|cUKPGM|dOCLCO|dN$T|dIDEBK
050 4 PN2049
072 7 PER|x011000|2bisacsh
082 04 792|223
100 1 White, Gareth
245 10 Audience participation in theatre|h[electronic resource] :
|baesthetics of the invitation /|cGareth White
260 [Basingstoke] :|bPalgrave Macmillan,|c2013
300 1 online resource
505 0 1. Audience Participation -- 2. Why 'Aesthetics'? -- 3.
The Practice and Theory of Audience Participation -- 4.
Emancipating Spectators -- 5. Subjectivity as Material and
Medium -- 6. The Structure of the Book -- PART I: PROCESS
AND PROCEDURE -- 7. Antony Jackson and Frame Analysis --
8. Goffman's Frame Analysis -- 9. The Frame Analysis of
Audience Participation -- 10. Roles and Resources -- 11.
Working Inside the Frame -- 12. Control and Social
Structure -- 13. Horizons of Participation -- 14. The
Aesthetic Meaning of Agency -- 15. Armadillo Theatre --
16. Analysing Armadillo's Procedure -- PART II: RISK AND
RATIONAL ACTION -- 17. Risk in Performance -- 18. Real and
Perceived Risk -- 19. Actual Risk in Audience
Participation -- 20. Horizons of Risk -- 21. Risk
Management as Procedural Authorship -- 22. Ethical Issues
in the Management of Real and Perceived Risk -- 23.
Protecting Participants into Involvement -- 24. Reading
the Audience Participant -- 25. Performativity and the
Public Self -- 26. Know One's Fool -- PART III: IRRATIONAL
INTERACTIONS -- 27. Emotion in Audience Participation --
28. Embodied Cognition and the Enactive Theory of Mind --
29. Empathy and Intersubjectivity in Audience
Participation -- 30. Laughter -- 31. Crowds -- 32.
Liminality and Communitas -- 33. Hypnosis -- 34.
Procedural Authorship and Harnessing Intersubjectivity --
35. De La Guarda's Liminoid Participation -- 36.
Embodiment, Enculturation and Meaning -- PART IV:
ACCEPTING THE INVITATION -- 37. Theatre Audiences and
Feedback Loops -- 38. A New Horizon -- 39. Weather on the
Horizon -- 40. Gaining Roles and Responsibilities -- 41.
Experiential Learning -- 42. Reflexivity and Witnessing --
43. Self-Awareness and Self-Forgetfulness -- 44.
Autopoiesis, Allopoiesis, Heteropoiesis -- 45. Tim Crouch:
The Author and I, Malvolio -- Conclusion -- 46. The
Procedural Author -- 47. The Aesthetic Theory -- 48.
Making Special -- 49. Patterning and Elaborating
Participation -- 50. The Aesthetic Regime
520 The popularity of participatory work with audiences is
greater than ever, but the invitation to participate is
rarely given attention as a feature of performance, or an
important element of practice in its own right. This book
presents a theory of audience participation in the theatre,
based on the importance of the moment of invitation and
how an event changes character when such an invitation is
made. The materials from which theatre performance is made
expand to include the audience participant's body and
social being, with the participant's prior experience and
expectations, and their embodied, affective response to
the performance becoming of vital importance. Attending to
this expanded set of performance media allows us to begin
to articulate the aesthetics of participation, and
thereafter to consider the ethics and politics of
participation more precisely. This book offers a new
theory of audience participation and taps into the growth
of immersive (or participatory) performance and Applied
Theatre. Discussing the work of companies such as
Punchdrunk, Shunt and De La Guarda, this book will be of
use to students and teachers of performance, theatre
practitioners and anyone interested in exploring immersive
performance
588 Description based on online resource; title from publisher
supplied information (Title not viewed)
650 0 Participatory theater
650 7 PERFORMING ARTS / Theater / General|2bisacsh
655 4 Electronic books
856 40 |3Palgrave Connect|uhttp://www.palgraveconnect.com/
doifinder/10.1057/9781137010742
912 Palgrave connect eBooks|b110206074615
