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245 10 Ordering colours in 18th and early 19th century Europe /
|cedited by Tanja C. Kleinwächter, Sarah Lowengard,
Friedrich Steinle
264 1 Cham :|bSpringer International Publishing :|bImprint:
Springer,|c2023
300 1 online resource (vii, 201 pages) :|billustrations (some
color), digital ;|c24 cm
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
490 1 International archives of the history of ideas,|x0066-6610
;|vvolume 244
505 0 1. Introduction Kleinwächter, Tanja, Sarah Lowengard and
Friedrich Steinle -- Part I Ordering Systems and Standards
-- 2 The shape of colour order systems and the evolution
of colour theory Caivano, José Luis -- 3 Materialization
of vision - Colour standards in the early sciences as a
practice transfer from the arts and handicrafts Karliczek,
André -- Part II Visual Studies to Prove a Theory -- 4.
Jacob Christoff Le Blon and Trichromatic printing: A tale
of five cities Stijnman, Ad -- 5. Colour theory by Mikhail
Lomonosov: From dyes and mosaics to a trichromatic idea
Stanulevich, Nadezhda -- 6. Schiffermüller and Newton in
sinter united - Franz Uibelakers two-colour theory (1781)
Kleinwächter, Tanja -- Part III Objects in Colours/Objects
and Colours -- 7. Calau's Punic Wax, Lambert's
Farbenpyramide (1772), and prefabricated watercolour cakes
Simonini, Giulia -- 8. Testing ground: Colour samples in
European porcelain manufactories Szalay, Gabriella -- 9
Fighting for the best pigment! Academic colour discourses
in Kassel during the 19thcentury Mävers, Sophie-Luise --
General Bibliography -- Index of Names -- General Index
520 This book describes the international effort to give order
to colours and thus facilitate communication about it, two
topics deemed essential to a modernising world that were
also recognizably complex. Expert essays will enhance
readers' understanding of the struggle to coordinate
nature with art at a time when approaches to both were
undergoing rapid change. Ordering Colours shows how such
seemingly trivial concerns as identifying the basic
colours and disseminating appropriate colour diagrams had
to meet philosophical, scientific and professional needs
across Europe. Contributors detail the many schemes for
colour systematization and their real-world applications;
questions of concern to both academic- and manufacturing-
focused investigators throughout the long 18th century.
They bring together original research and new thinking
about landmark early modern studies to address important
developments as well as neglected historical contributions
of European arts, sciences, and economies. This collection
is an important addition to the libraries of all who are
interested in public culture and manufacturing
developments in the early modern period and is aimed at
historians of art, technology, philosophy and physics
650 0 Color|xHistory|y18th century
650 0 Color|xHistory|y19th century
650 14 History of Technology
650 24 History of Philosophy
650 24 Theory of Arts
650 24 Regional Cultural Studies
700 1 Kleinwachter, Tanja C.,|eeditor
700 1 Lowengard, Sarah,|eeditor
700 1 Steinle, Friedrich,|eeditor
710 2 SpringerLink (Online service)
773 0 |tSpringer Nature eBook
830 0 Archives internationales d'histoire des idees ;|vvolume
244
856 40 |uhttps://doi.org/10.1007/978-3-031-34956-0
912 Springer
