MARC 主機 00000nam a2200469 i 4500
001 978-3-030-55389-0
003 DE-He213
005 20201205195254.0
006 m o d
007 cr nn 008maaau
008 201205s2021 gw s 0 eng d
020 9783030553890|q(electronic bk.)
020 9783030553883|q(paper)
024 7 10.1007/978-3-030-55389-0|2doi
040 GP|cGP|erda
041 0 eng
050 4 NX650.P6|bP65 2021
072 7 JPS|2bicssc
072 7 POL011000|2bisacsh
072 7 JPS|2thema
082 04 700.103|223
245 04 The politics of spatial transgressions in the arts /
|cedited by Gregory Blair, Noa Bronstein
264 1 Cham :|bSpringer International Publishing :|bImprint:
Palgrave Macmillan,|c2021
300 1 online resource (xiv, 185 pages) :|billustrations,
digital ;|c24 cm
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
505 0 Chapter 1: Introduction -- Chapter 2: From Place-Making to
Placelessness -- Chapter 3: Tong Yan Gaai: Chinese
Heritage within North American Communities -- Chapter 4:
Mapping Evictions: Urban Displacement and the Myths of the
Sharing Economy -- Chapter 5: The City as Composition:
Working through Geographies of Memory, Identity and
Belonging -- Chapter 6: Out of Place: Displacements of the
Body in Artistic Practice -- Chapter 7: Losing Site:
Folded Morphologies of Photography and Brutalist
Architecture -- Chapter 8: Spatial Strategies for Working
with Text -- Chapter 9: Mapping as Aesthetic Practice --
Chapter 10: Learning from Las Vegas: Steve Wynn and the
New Business of Art
520 This book is an anthology of the varied strategies of
spatial transgressions and how they have been implemented
through the arts as a means to resist, rejuvenate, reclaim,
critique or cohabitate. The book is divided into two
sections - Displacements and Disruptions. The first
section discusses the ramifications of the spatial
displacements of bodies, organizations, groups of people
and ethnicities, and explores how artists, theorists and
arts organizations have an attentive history of revealing
and reacting to the displacement of peoples and how their
presence or absence radically reconfigures the value,
identity, and uses of place. In the second section, each
author considers how aesthetic strategies have been
utilized to disrupt expected spatial experiences and
logic. Many of these strategies form radical alternative
methodologies that include transgressions, geographies of
resistance, and psychogeographies. These spatial
performances of disruption set into motion a critical
exchange between the subject, space and materiality, in
which ideology and experience are both produced/
spatialized and deconstructed/destabilized. Gregory Blair
is an artist, writer and educator based in Evansville,
Indiana. His research incorporates interdisciplinary art
practices, mobility studies, cultural geography,
environmental aesthetics, continental philosophy,
ecocriticism, and philosophies of place. His first book,
Errant Bodies, Mobility, and Political Resistance, was
published by Palgrave Macmillan in 2018. Noa Bronstein is
a curator and writer based in Toronto, Canada. Her
practice mainly focuses on investigating issues concerning
place and space-making, and thinking through how artists
disrupt and subvert systems, including those registering
across social, political, and economic structures. Noa has
held several positions in the arts, including Executive
Director of Gallery 44 Centre for Contemporary Photography,
inaugural Senior Curator at the Small Arms Inspection
Building, and Project Manager at the Art Gallery of
Ontario. Noa is currently the Executive Director of
Gallery TPW
650 0 Arts|xPolitical aspects
650 0 Politics in art
650 14 International Relations Theory
650 24 Human Geography
650 24 Aesthetics
700 1 Blair, Gregory,|eeditor
700 1 Bronstein, Noa,|eeditor
710 2 SpringerLink (Online service)
773 0 |tSpringer Nature eBook
856 40 |uhttps://doi.org/10.1007/978-3-030-55389-0
912 Springer|b111007264615
