MARC 主機 00000nam a2200517 i 4500
001 978-3-030-70071-3
003 DE-He213
005 20210714164306.0
006 m o d
007 cr nn 008maaau
008 210330s2021 sz s 0 eng d
020 9783030700713|q(electronic bk.)
020 9783030700706|q(paper)
024 7 10.1007/978-3-030-70071-3|2doi
040 GP|cGP|erda
041 0 eng
050 4 PN2049|b.M36 2021
072 7 AN|2bicssc
072 7 PER011020|2bisacsh
072 7 ATD|2thema
082 04 792.0895104436109033|223
100 1 McMahan, Matthew J.,|eauthor
245 10 Border-crossing and comedy at the Theatre Italien, 1716-
1723 /|cby Matthew J. McMahan
264 1 Cham :|bSpringer International Publishing :|bImprint:
Palgrave Macmillan,|c2021
300 1 online resource (xv, 264 pages) :|billustrations,
digital ;|c24 cm
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
490 1 Transnational theatre histories
505 0 Chapter 1: Italian Cultural Capital on the French Stage --
Chapter 2: Prologues, Meta-Comedy, and Cross-Cultural
Rapport -- Chapter 3: Bilingualism and Translation in
Comedy -- Chapter 4: Stereotypes, Self-Deprecation, and
Refracted Satire -- Chapter 5: Improvisation, Emotion, and
the Italian Brand -- Chapter 6: Parody as Transcultural
Critique
610 20 Theatre-Italien (Paris, France)|xHistory
650 0 Theater and society|zFrance|zParis|xHistory|y18th century
650 0 Actors|zFrance|zParis|xSocial conditions|y18th century
650 0 Italian drama (Comedy)|xHistory and criticism
650 0 French drama (Comedy)|xHistory and criticism
650 0 Emigration and immigration|xSocial aspects|xHistory|y18th
century
650 14 Theatre History
650 24 Global/International Theatre and Performance
650 24 Performing Arts
710 2 SpringerLink (Online service)
773 0 |tSpringer Nature eBook
830 0 Transnational theatre histories
856 40 |uhttps://doi.org/10.1007/978-3-030-70071-3
912 Springer|b111007264615
