MARC 主機 00000nam a2200517 i 4500 001 978-3-030-70071-3 003 DE-He213 005 20210714164306.0 006 m o d 007 cr nn 008maaau 008 210330s2021 sz s 0 eng d 020 9783030700713|q(electronic bk.) 020 9783030700706|q(paper) 024 7 10.1007/978-3-030-70071-3|2doi 040 GP|cGP|erda 041 0 eng 050 4 PN2049|b.M36 2021 072 7 AN|2bicssc 072 7 PER011020|2bisacsh 072 7 ATD|2thema 082 04 792.0895104436109033|223 100 1 McMahan, Matthew J.,|eauthor 245 10 Border-crossing and comedy at the Theatre Italien, 1716- 1723 /|cby Matthew J. McMahan 264 1 Cham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021 300 1 online resource (xv, 264 pages) :|billustrations, digital ;|c24 cm 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 text file|bPDF|2rda 490 1 Transnational theatre histories 505 0 Chapter 1: Italian Cultural Capital on the French Stage -- Chapter 2: Prologues, Meta-Comedy, and Cross-Cultural Rapport -- Chapter 3: Bilingualism and Translation in Comedy -- Chapter 4: Stereotypes, Self-Deprecation, and Refracted Satire -- Chapter 5: Improvisation, Emotion, and the Italian Brand -- Chapter 6: Parody as Transcultural Critique 610 20 Theatre-Italien (Paris, France)|xHistory 650 0 Theater and society|zFrance|zParis|xHistory|y18th century 650 0 Actors|zFrance|zParis|xSocial conditions|y18th century 650 0 Italian drama (Comedy)|xHistory and criticism 650 0 French drama (Comedy)|xHistory and criticism 650 0 Emigration and immigration|xSocial aspects|xHistory|y18th century 650 14 Theatre History 650 24 Global/International Theatre and Performance 650 24 Performing Arts 710 2 SpringerLink (Online service) 773 0 |tSpringer Nature eBook 830 0 Transnational theatre histories 856 40 |uhttps://doi.org/10.1007/978-3-030-70071-3 912 Springer|b111007264615
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